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Visiting the Frida Kahlo museum (also known as “Casa Azul” – the blue house) is a highlight of any trip to Mexico City. Kahlo, known for her signature monobrow and self-portrait paintings, is one of the most famous Mexican figures to have ever lived. It is immediately recognizable if you’ve ever read or watched anything about Frida.
The Del Carmen neighborhood, the barrio where Frida will live, is inaugurated.
It is one of the most well-known and visited museums in Mexico, hosting around 25,000 visitors monthly. The Museum is sorely maintained through the sale of tickets and donations. Her house in the leafy, artistic district of Coyoacán is where she was born, spent her childhood, lived with her husband Diego Rivera, and eventually died. Today, her ashes are interred in a Pre-Colombian urn within the property. Born in 1907 in La Casa Azul in Mexico City, Frida is considered one of Mexico’s greatest artists. The blue house was built by his father Guillermo Kahlo in 1904 and this is where Frida grew up and died.
Experiences
Remarkably, the Blue House remains practically frozen in time, preserved almost as Kahlo left it. Through these exhibits, visitors can discover how the Blue House became the backdrop for Kahlo’s profound self-exploration and artistic expression — and now, a living testament to her enduring legacy and impact. In Mexico City lay a bright blue house that physically displays the colorful life Frida Kahlo left behind. The blue color of the house was later known to represent her admiration for the indigenous people of Mexico. It had a surface area of 800 square meters and sits on a 1,200 square meter lot.
Kahlo’s personal effects

After exploring the Blue House, take time to wander through the charming Coyoacan neighborhood. However, she came back after their divorce eight years later and created her most famous paintings, The Two Fridas and Self-Portrait with Thorn Necklace and Hummingbird. If this is your first time traveling to Mexico City, you might also like the below articles. I live in Merida in the Yucatan and I am always happy to help out where I can. This was during the period when Leon Trotsky lived in the house with Kahlo and Rivera when an adjacent plot of land was purchased to expand the property. She started purchasing and wearing this type of clothing herself, and it became an extension of her own identity and personality.
Kahlo is known for her powerful self-portraits and unique artistic style. It costs 160 pesos ($10 USD) for adults and 80 pesos ($5 USD) for children below 8 years of age. Prices already include the tickets to both museums and transportation. The museum exhibits a variety of Kahlo’s personal items, such as her clothing, jewelry, and wheelchair.
There you’ll find displays of her famous clothing and accessories and many knickknacks, books and memorabilia in a museum setting. I wonder where she kept it all when she was alive – I didn’t see any closets. We’re used to spending quite a long amount of time in museums, taking in rooms and pieces slowly and with thought, and we could easily have spent at least another hour within the rooms of Casa Azul. You will then pass through into the house proper, tracing a path through first the dining room, kitchen and Frida’s day bedroom on the ground floor, before heading up the stairs to the studio and upstairs bedroom. When we visited we saw quite a large number of tourists turn up without a ticket, spend a long time dithering about on their phone before admitting defeat and leaving; it is imperative that you do not simply turn up and hope. In the painted world, it evokes a sense of freedom, imagination, inspiration, and calmness; for more modern artists the colour blue often represents hope.
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Students and teachers who can present valid enrolment identification have different price ranges. High school, University, and teacher students pay 50 pesos ($3 USD) every day of the week. You cannot visit Frida Kahlo Museum without a reservation and only tickets from official sellers are honored.
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In the early 1930s, as Kahlo traveled the United States with Rivera, she suffered several difficult pregnancies that tragically ended prematurely. These experiences, coupled with the loss of her mother in 1932, inspired some of her most raw and poignant works, including Henry Ford Hospital‘ (1932) and My Birth (1932). The kitchen and dining room decor features yellow and blue tiles, handcrafted utensils and traditional pottery. On the walls are small pots organised to spell out the couple’s names. Rivera's bedroom is off the dining room and has his jacket, hat and painting clothes hanging from a wall rack. The first extra room displays their electric art collection and Frida Kahlo’s belongings such as bright clothing and jewellery, medical corsets and prosthetic leg.
Coyoacan, Frida Kahlo Museum and Xochimilco tour
Some rooms have been transformed to create the museum and gift shop; others now hold her various “adornments” in another section of the house across the courtyard. The twin houses were designed by the famed painter and architect Juan O’Gorman, a friend of Rivera, and constructed in 1932. They combine a bold functionalist style with more traditional Mexican forms and touches, including the colors and rows of cacti (O’Gorman is considered the father of Mexican functionalism).
In 1904, Frida Kahlo's father, Guillermo, built La Casa Azul in the colorful Colonia del Carmen district of Coyoacán in Mexico City. The building featured a French-inspired design when Frida's mother, Matilde, gave birth to her in 1907. Originally the house built on the style of the end of the 19th Century in Mexico. However, Diego and Frida wished to transform it into a house that joined Pre-Hispanic, Colonial and popular Mexican styles.
Today, the museum it has been transformed into does an excellent job of showcasing her life and works. Throughout the decades, Kahlo and her husband, the muralist Diego Rivera, hosted many famous international and Mexican artists, dignitaries, and celebrities at the property. Frida’s use of this traditional dress to strengthen her identity, reaffirm her political beliefs, and conceal her imperfections also built on her own sense of heritage and personal history.
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